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Be a Better Writer



In her book, 10 Rules of Writing, Elmore Leonard advised would be authors to – ‘Get an accountant, abstain from sex and similes, cut, rewrite, then cut and rewrite again – if all else fails, pray’. Whilst Ernest Hemmingway famously wrote, ‘There is nothing to writing. All you do is just sit at a typewriter and bleed.’
But surely there’s more to great writing than simply praying and hemorrhaging at your desk… I’ve analysed advice by famous authors in an attempt to discover how to become a better writer.  My favourite tips are listed below; let me know what you think of them.

1. “Find out what your hero wants, then just follow him!” – Ray Bradbury, author of Fahrenheit 451
How to use it:
At first glance it seems Bradbury is advocating a sort of voodoo magic in the creative writing process whereby protagonists take care of the plot for you. However I think what he’s really saying here is that your characters should be so well developed they could just walk off the page and that their traits not your plot requirements should determine the action they take.

2. “If you have other things in your life – family, friends, good productive day work – these can interact with your writing and the sum will be all the richer.” – David Brin, award winning science fiction author.
How to use it:
What a great reminder there’s a life outside the writing shed! Inspiration doesn’t come from staring inwards, it comes from living in the real world and interacting with real people.
The genius of a novel can begin almost anywhere- a childhood memory, dramatic scenery, an eavesdropped conversation never quite understood. Toni Morrison’s novel, Sula starts in this way whilst Tony Hillerman’s novels were inspired by the southwestern landscape and William Faulkner’s masterpiece The Sound and The Fury was born out of a childhood memory of a ‘little girl’s muddy drawers.’

3. “Write drunk, edit sober” – Peter deVries
How to use it:
Writers like Raymond Chandler and Dylan Thomas rarely put a sentence together without a whiskey in easy reach. However, I don’t think deVries is advocating alcoholism in the writing process. Instead he’s making the point that writing and editing require two completely different mindsets and shouldn’t take place at the same time.
When you write you should be free and open minded. To produce your best work you need to follow your instincts and let the words flow unchecked.
Conversely when editing you need to be brutal. You need to ask if a character would really say or do such and such. You need to check the words you’ve used are ‘the best words in the best order’. And most importantly, as Virginia Woolfe said, you need to be prepared to ‘kill your darlings’.

4. "The only thing to do with good advice is pass it on. It is never any use to oneself” – Oscar Wilde
This is my favourite piece of advice and it needs no analysis or explanation. If you agree with Wilde please share of your top writing tips (famous or homegrown) in the comment section below.In her book, 10 Rules of Writing, Elmore Leonard advised would be authors to- ‘Get an accountant, abstain from sex and similes, cut, rewrite, then cut and rewrite again – if all else fails, pray’. Whilst Ernest Hemmingway famously wrote, ‘There is nothing to writing. All you do is just sit at a typewriter and bleed.’
But surely there’s more to great writing than simply praying and hemorrhaging at your desk… I’ve analysed advice by famous authors in an attempt to discover how to become a better writer.  My favourite tips are listed below; let me know what you think of them.

1. “Find out what your hero wants, then just follow him!” – Ray Bradbury, author of Fahrenheit 451
How to use it:
At first glance it seems Bradbury is advocating a sort of voodoo magic in the creative writing process whereby protagonists take care of the plot for you. However I think what he’s really saying here is that your characters should be so well developed they could just walk off the page and that their traits not your plot requirements should determine the action they take.

2.“If you have other things in your life – family, friends, good productive day work – these can interact with your writing and the sum will be all the richer.” – David Brin, award winning science fiction author.
How to use it:
What a great reminder there’s a life outside the writing shed! Inspiration doesn’t come from staring inwards, it comes from living in the real world and interacting with real people.
The genius of a novel can begin almost anywhere- a childhood memory, dramatic scenery, an eavesdropped conversation never quite understood. Toni Morrison’s novel, Sula starts in this way whilst Tony Hillerman’s novels were inspired by the southwestern landscape and William Faulkner’s masterpiece The Sound and The Fury was born out of a childhood memory of a ‘little girl’s muddy drawers.’

3. “Write drunk, edit sober” – Peter deVries
How to use it:
Writers like Raymond Chandler and Dylan Thomas rarely put a sentence together without a whiskey in easy reach. However, I don’t think deVries is advocating alcoholism in the writing process. Instead he’s making the point that writing and editing require two completely different mindsets and shouldn’t take place at the same time.
When you write you should be free and open minded. To produce your best work you need to follow your instincts and let the words flow unchecked.
Conversely when editing you need to be brutal. You need to ask if a character would really say or do such and such. You need to check the words you’ve used are ‘the best words in the best order’. And most importantly, as Virginia Woolfe said, you need to be prepared to ‘kill your darlings’.

4. "The only thing to do with good advice is pass it on. It is never any use to oneself” – Oscar Wilde
This is my favourite piece of advice and it needs no analysis or explanation. If you agree with Wilde please share of your top writing tips (famous or homegrown) in the comment section below.

Victoria Slotover read History at Oxford and has written for The Daily Express and Ham & High newspapers. Her short fiction has been published in various magazines and anthologies and she recently won the Full Stop Short Story Competition. She just completed her first novel; a crime thriller about a man who in battling his demons ends up becoming one himself. 

Author: Victoria Slotover
Writers and Artists

7 Way Approach to Write your Speech



Writing a presentation can be one of the tedious yet easiest part of our jobs. The tedious part is usually the part whereby you have to prepare for that speech. Apparently, it suddenly becomes  more fun to scrub a toilet than to write your presentation. We’ve all sat down in front of the computer and wasted hours staring at the pulsating cursor while wondering, “What the heck should I talk about?”. Its easy, when you have thought about it and gathered relevant data before getting down in front that computer. 
So here's 7 strategies designed to make your speech writing a lot easier and dandy. 

1) The computer screen is not the best place to start. 

As already implied in the first paragraph, when you have a presentation, do not press the power button of your PC just yet. You need to understand a few things and collect relevant information such as; who is your audience? For what purpose are you making that speech? What are the possible solutions and ideas you can propose in that speech? If you do not have answers to such questions yet, chile....you need to back off from the PC and get back in your mind first.

2) Define your main objective

Don't try to be the speaker of the house without a room. Take one clear, distinct and evident objective and work on it. You will be known and remembered as the one who brought that one specific change,  than when you try to include all the ideas you can think of into one allocution. You will end up sounding like a gossip and boring your audience.

3) Identify with the people's need

Giving a speech is never about you. Don't make a bucket list of all you want to say to your audience before the time is up. Identify with their most in depth distinct need. Spot what they have and what they don't have. Then when you have collected such info; I suggest you work with that 5 loaves and 2 fishes(that is, the information accessible), and you will end up feeding a thousand or more. 
Its about the assemblage not you.

4) Devise your course of action

Don't stand in that platform sounding like a chicken running for President. Do not tell them of the miracles your products have performed in the past and the change it will bring to that lives. 
Rather endear them into action. What is the one step you would want them to take towards achieving your main objective? Bring it to the floor.

5) Spend enough time to prepare

The trick is, for the more times you spent constructing your speech, the less time of the audience you will take. When its 10 minutes long, spend 60 minutes to 5 hours practicing and amending your work each day. A good percentage of  times, even a day before the presentation is to be made, you could find new information or spot an error.

6) Craft a writing model that suits you

This at times depends on your audience and main objective. Use formal and informal models where applicable. But also be as clear as air. You can map out a design off your work and have an overview look of it. Experiment with styles, strategies and outlines. Actually you must see yourself completing your work at this stage before you begin. Hey...you know what they say, what the mind can conceive it will achieve.

7) Make room for others opinions and feedback

You work may always look finished and nice to you. But there could be certain errors you have overlooked or have no idea it was an error in the first place. Get someone outside your friends and family horizon to have an overview of what you have done. Usually its best to hire a coach, or one of your less acquainted experts. 


Okay, there you have it. Don't get caught up with that one grind. Follow this simple guidelines to get working and get done with it. There's always much more to look forward to. *wink* Don't worry you will get used to it.
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